A medida que la economía avanza, los Estados se ven obligados a innovar en sus medios de producción con el fin de generar estrategias competitivas que permitan su incursión en la esfera del mercado mundial. Una de estas pericias tenidas en cuenta por Colombia ha sido la incursión de la minería en gran parte de sus departamentos, lo que ha generado una fuerte ola de inversión tanto extranjera como nacional ante este sector económico. El presente documento pretende caracterizar la gestión (...) de la industria minera en el ámbito colombiano y su relación entre el accionar gubernamental y empresarial, lográndose esto a través de una revisión y análisis documental. El territorio colombiano se encuentra bastante desprotegido por el Estado, lo que ha generado fuertes repercusiones en el desarrollo de esta actividad en las áreas donde se ejecuta.As the economy advances, States are forced to update their means of production in order to generate competitive strategies that allow its foray into the sphere of the world market. One of these skills considered by Colombia, it has been the incursion of mining in many of its departments, which has generated a strong wave of investment both foreign and domestic to this economic sector. This document aims to characterize the management of the mining industry in Colombia and the relationship between government and business actions, this being achieved through a review and document analysis. The Colombian space is fairly unprotected by the state territory, which has generated strong impact of this activity in the areas where it runs. (shrink)

RESUMEN El artículo analiza la interpretación que Walter Benjamin ofrece de la modernidad capitalista en Capitalismo como religión. Se indaga el sentido del carácter religioso del capitalismo y se muestra que la primera elaboración sobre el capitalismo en términos de religión dio paso a una aproximación complementaria en términos de fuerzas míticas. Si bien este desplazamiento es visible ya en Capitalismo como religión, cobra nitidez en el Libro de los pasajes, con la introducción del concepto de lo "siempre igual" [immergleich] (...) para describir la dinámica del modo de producción y la experiencia de la historia en el capitalismo. ABSTRACT The article analyzes Walter Benjamin's interpretation of capitalist modernity as set forth in Capitalism as Religion. It inquires into the religious character of capitalism and shows that the initial elaboration of capitalism in terms of religion gave way to a complementary approach in terms of mythical forces. While this shift is already visible in Capitalism as Religion, it becomes clear in The Arcades Project, with the introduction of the concept of the "ever selfsame" [immergleich] to describe the dynamics of the capitalist mode of production and the experience of history. (shrink)

El artículo analiza la interpretación que Walter Benjamin ofrece de la modernidad capitalista en Capitalismo como religión. Se indaga el sentido del carácter religio- so del capitalismo y se muestra que la primera elaboración sobre el capitalismo en términos de religión dio paso a una aproximación complementaria en términos de fuerzas míticas. Si bien este desplazamiento es visible ya en Capitalismo como reli- gión, cobra nitidez en el Libro de los pasajes, con la introducción del concepto de lo “siempre igual” (...) [immergleich] para describir la dinámica del modo de producción y la experiencia de la historia en el capitalismo. (shrink)

Resumen El concepto de Nachleben ocupa un lugar central en la reflexión filosófica y científica en la Alemania de finales del siglo diecinueve y comienzos del siglo veinte, tanto en su vertiente evolucionista, entendida como ‘supervivencia’, como en su dimensión histórica vinculada al estudio de la ‘pervivencia’ de los productos culturales, y se extiende a comienzos del siglo XX a la historia del arte y a la filosofía de la cultura. Este trabajo indaga las principales características de dos formas diferentes (...) de conceptualización de la idea de pervivencia y su vínculo con la noción de Nachleben que Walter Benjamin desarrolla en su obra. Se dará cuenta de distintos modelos o paradigmas para comprender el vínculo entre la historia, la vida y la tradición: un modelo teológico, centrado en la figura de Jesús, un modelo energético, basado en la física y otro, elaborado por Benjamin, centrado en la idea de una vida propia de las obras de arte y los objetos culturales.The concept of Nachleben ¿s paramount in the philosophical and scientific reflections in late nineteenth and early twentieth Centuty Germany, both in its evolutionist meaning as ‘survival’ and in its historical dimension, linked to the study of the ‘afterlife’ of cultural artifacts / products. The concept extends its application range at the beginning of the twentieth century to the Art History and the Philosophy of Culture. This paper will trace the main characteristics of two different forms of conceptualization of the idea of afterlife and its connection to the notion of Nachleben that Walter Benjamin develops in his work. In this paper I’ll give an account of different paradigms or models for understanding the relationship between history, life and tradition: a theological model, centered in the figure of Jesus, an energetic model, based on physics, and a third model, elaborated by Benjamin, centered in the idea that artworks and cultural objects have a life of their own. (shrink)

La noción y la experiencia de la crisis son consustanciales a la modernidad, a su diagnóstico y su autocomprensión no sólo como crisis económica y política, sino, de modo más fundamental y abarcador, como crisis de la comunidad, de la transmisión y la tradición y, finalmente, como crisis de la modernidad misma. La obra de Walter Benjamin, en la medida en que constituye un esfuerzo de articulación filosófica de una serie de experiencias políticas, estéticas y metafísicas moldeadas por crisis, se (...) revela de gran utilidad no sólo para comprender el contexto filosófico y político en el que se formó, sino también los usos actuales del concepto. Sostendré que es posible aislar en los textos benjaminianos tres variantes semánticas diferentes, aunque no excluyentes entre sí, de crisis e intentaré mostrar que sus reflexiones sobre el concepto de crisis en el contexto de las transformaciones modernas dotan a éste de un matiz semántico novedoso que lo diferencia de las concepciones antigua y moderna. En esta nueva acepción de crisis reside también el potencial crítico del concepto. (shrink)

El presente artículo da cuenta de la reflexión de Hannah Arendt sobre los campos de concentración y exterminio de la Segunda Guerra Mundial, a los que considera la principal institución del poder organizado. Su análisis gira en torno a los campos como espacios en los que se experimenta con la vida de los hombres y donde se demuestra, a su vez, que todo es posible. Este artículo pone el acento en la mirada filosófica de la autora, que vislumbra estos espacios (...) de excepción como la aniquilación del ejercicio político a partir del quiebre de la esfera pública. This article deals with Hannah Arendt´s work on Second World War concentration and extermination camps, which she considers the main institution of organized power. Her analysis focuses on concentration camps as life-size experiments on human beings’ lives, whereby it is made clear that anything can happen. This article highlights the author’s philosophical perspective on this subject, which presents these spaces of exception as involving a hiatus in the public sphere and therefore annihilating the possibility of political practice. (shrink)

Este artículo indaga en la concepción de Naturaleza del filósofo F. Nietzsche (1844-1900). Tal concepción nace en diálogo crítico con la filosofía de la época, en especial aquella que va desde el criticismo de Kant al idealismo absoluto de Hegel y que atraviesa todo un modo de ser y de comprender el mundo, Modernidad. Deallí se levanta la figura del dios griego Dioniso, como una imagen que expresa ese rasgo instantáneo de Naturalezaque se muestra plenamente como cuerpo. This article explores (...) the conception of Nature of the philosopher F. Nietzsche (1844-1900). Such a concept was born in critical dialogue with the philosophy of the era, especially that one which goes from Kant’s criticism to Hegel’s absolute idealism and that considers a whole way of being and understanding the world, i.e. the Modernity. From here, the figure of the Greek god Dionysus arises as an image that expresses the instant trait of nature showing itself as a body. (shrink)

En este trabajo se presenta una explicación para el problema de las versiones abstractas de la tarea de selección de las cuatro tarjetas de Peter Wason: los discretos resultados de los participantes cuando se enfrentan a ellas. Nuestra explicación apunta a que los sujetos no comprenden la regla de la tarea como un condicional, sino como un bicondicional, provocando tal circunstancia que no elijan las tarjetas correctas. Santamaría planteó una objeción para todo enfoque que defienda que en la tarea de (...) selección se produce una interpretación bicondicional de la regla, pero nosotros también respondemos aquí a dicha objeción atendiendo a la primacía que en el razonamiento humano puede tener la regla lógica del modus ponens. Igualmente, exponemos un estudio, basado en diálogos de seminario tutoriales al modo socrático, realizado por nosotros con el propósito de comprobar si nuestra explicación puede ser viable y comentamos los resultados obtenidos. In this paper, we present an explanation for the problem of the abstract versions of Peter Wason’s four-card selection task: modest subjects’ results when they are confronted with these tasks. Our explanation poses that individuals do not comprehend the task rule as a conditional sentence, but as a biconditional one, causing that subjects do not choose the correct cards. Santamaría presented an objection for any approach that suggests a biconditional interpretation in the task selection. In this work, we discuss this objection based on the apparent primacy of a logical rule in human reasoning: modus ponens. Additionally, we present a study based on Socratic dialogue seminars with a tutorial style, developed by us, to check whether our explanation is viable or not, and discuss the results achieved. (shrink)

En el apartado Noche 3 de Umbral, Juan Emar se vale de la estrategia de la hibridez genérica al construir una novela-drama que resignifica aportes de la vanguardia metaficcional. Nuestra hipótesis es que mediante la “refuncionalización paródica” (Hutcheon) de la diferencia conceptual entre historia y ficción se despliega una poética vanguardista que acoge el simultaneísmo temporal y espacial. Se trabaja con el enfoque postestructuralista foucaultiano que distingue entre una Historia Global, el metarrelato moderno y una Historia General; la que estudia (...) las discontinuidades en las series temporales. En efecto, la poética de la simultaneidad es en la narrativa emariana un mecanismo dislocador de una serie de oposiciones binarias de la episteme moderna: obra dramática v/s representación teatral, espacio escénico v/s sala de espectadores, autor v/s obra, pasado v/s futuro, arte v/s vida, entre otros. Emar despliega así en forma magistral una propuesta vanguardista que da cuenta de la heterogeneidad de tradiciones culturales como impronta de escritura de un sujeto latinoamericano. In paragraph Night 3 of his novella Umbral, Juan Emar utilices hybridism as a generic strategy in the construction of a novella-drama that assign new meanings to the contributions of the metafictional Avant Garde. Our hipothesis is that throught a “parodic refunctionalization” of the distinction between history and fiction is conveying an Avant Garde poetics that promote the spatial and temporal simultaneity. We work with the foucaultian postestructuralism focus which make a distinction between Global History; the modern metanarrative and a General History; that studies the discontinuities in temporals series. The simultaneity poetic’s is in their narrative a mechanism that dislodges a series of binary oppositions as: dramatic work vs. theatrical representation, scenic space vs auditorium, author vs. work, past vs. future, art vs. life, among others. Emar deploys in a masterly way, his Avant Garde proposal of the heterogeneity of cultural traditions as writing impronta of a Latin-American subject. (shrink)

RESUMEN El presente trabajo busca demostrar cómo el reconocimiento y estudio de las narrativas exiliares de mujeres podrían otorgar nuevos registros analíticos y reflexivos al campo de trabajo filosófico sobre castigo político. Para ello, en principio, se lleva a cabo un recorrido por sus orígenes clásicos, griego y romano, destacando que, si bien el exilio ha variado a lo largo de los siglos, hay ciertos elementos constitutivos que se mantienen en sus aplicaciones contemporáneas. Esto lleva a observar el modo en (...) que estos elementos constitutivos del exilio se hacen presentes de una manera particular en la escritura narrativa exilar de mujeres -especialmente en las de las últimas dictaduras cívico-militares del Cono Sur latinoamericano-. Reconocer e incluir estas narrativas experienciales de mujeres en un corpus textual y analítico altamente masculinizado permitiría nuevos acercamientos y proyecciones reflexivas al campo de estudios filosóficos sobre el exilio. ABSTRACT This paper seeks to demonstrate how the recognition and study of women's exile narratives could bring new analytical and reflexive registers to the field of philosophical work on political punishment. In order to do this, first of all, a review of its classical, Greek and Roman origins is made, pointing out that, although the exile has varied over the centuries, there are certain constituent elements that are maintained in its contemporary applications. This leads us to observe the way that these constitutive elements of exile are present in a particular way in women's exile narrative writing -especially those of the last civil-military dictatorships of the Latin American Southern Cone. To recognise and include these women's experiential narratives in a highly masculinised textual and analytical corpus allows for new approaches and reflexive projections to the field of philosophical studies on exile. (shrink)

El siguiente artículo se propone volver sobre el año 1973, con el objetivo de relevar analíticamente las posiciones de un sector disonante al interior del peronismo revolucionario: el alternativismo. Hemos propuesto analizar sus posturas en diferentes coyunturas: el período pre-electoral y la apertura democrática en el contexto del Gran Acuerdo Nacional (GAN); el triunfo del Frejuli, la “primavera camporista” y los sentidos revolucionarios que signaron a su programa de gobierno y, finalmente, su derrumbe. Nuestro interés radica en visibilizar las posiciones (...) de sus actores, comparativamente menos conocidos al interior del peronismo revolucionario, pero con propuestas diferentes tanto respecto de las elecciones de marzo, como del regreso del peronismo al gobierno y los primeros meses de gestión. (shrink)

Both the current research literature and a tradition stemming from Husserl himself agree that it was Brentano’s notion of intentionality which „gave rise“ to Husserl’s phenomenology. I rely on extensive primary materials, including unpublished sources from four archives, to revisit this thesis. Already a survey of the historical circumstances of Brentano’s second decade in Vienna, when Husserl studied under him, hints at possible discrepancies in the reception of Brentano’s thought, which are further deepened by the editing policy employed by his (...) orthodox students. I analyze an unpublished lecture manuscript of Brentano to find three different notions of intentionality, including a strikingly a-phenomenological one, which I then relate to the discussion by modern scholarship and try to identify those notions of intentionality which were encountered by Husserl as a student of Brentano. Given this heterogeneous matrix of influences, it is far from surprising that a closer look at Husserl’s philosophical juvenilia shows that he misunderstood Brentano’s notion of intentionality and attempted to employ it in a different theoretical context (maybe motivated by an idiosyncratic notion of inner perception). Finally, the notion of intentionality Husserl later attributed to Brentano was probably mitigated to him by indirect sources, including lecture manuscripts copied by the extravagant and less-know student of Brentano, Hans Schmidkunz, and a debate between a contemporary logician Christoph Sigwart and Brentano’s orthodox disciples. The analysis of these transmission mechanisms could reveal a distinct transformation which proved to be instrumental in the development of Husserl’s transcendental phenomenology. The allegedly decisive influence of Brentano’s notion of intentionality at Husserl thus seems to consist in a productive misunderstanding (which apparently corresponds to Brentano’s surprisingly dismissive evaluation of Husserl after Husserl’s departure from Vienna). (shrink)

In this article, we defend that incorporating a rejection operator into a paraconsistent language involves fully specifying its inferential characteristics within the logic. To do this, we examine a recent proposal by Berto for a paraconsistent rejection, which — according to him — avoids paradox, even when introduced into a language that contains self-reference and a transparent truth predicate. We will show that this proposal is inadequate because it is too incomplete. We argue that the reason it avoids trouble is (...) that the inferential characteristics of the new operator are left unspecified, exporting the task of specifying them to metaphysicians. Additionally, we show that when completing this proposal with some plausible rules for the rejection operator, paradoxes do arise. Finally, we draw some more general implications from the study of this example. (shrink)

Research agendas and academic evaluation are inevitably linked. By means of economic incentives, promotion, research funding, and reputation academic evaluation is a powerful influence on the production of knowledge; moreover, it is often conceived as a universal instrument without consideration of the context in which it is applied. Evaluation systems are social constructions in dispute, being the current focus of international debates regarding criteria, indicators, and their associated methods. A universalist type of productivity indicators is gaining centrality in academic evaluation (...) with profound effects on the content of research that is conducted everywhere. Specifically, evaluation systems based on this type of indicators are sending negative signals to scientists willing to conduct research on contextualized agendas, particularly those negotiated with non scientists. On the basis of theoretical and empirical studies documented on the specialized literature and extensive personal engagement with university research policy in Uruguay, we argue that the consolidation of evaluation practices of alleged universal validity deteriorates and discourages a type of research which is undeniably important in developing contexts. (shrink)

This article examines Brazilian writer Clarice Lispector’s contributions to the women’s pages of the newspapers Correio da Manhã and Diário da Noite between 1959 and 1961. While Lispector’s fictional output has spawned a steady flow of scholarly and academic studies from a wide array of disciplines and fields of study, her journalistic production, in particular the women’s pages she crafted under a pseudonym, has hardly received any critical attention. The “women’s page” is a fixed section in magazines and newspapers entirely (...) dedicated to women, addressed specifically to a female readership, and generally authored by a woman or a female persona. The purpose of this article is to redress this critical oversight and complement the only study so far of this corpus – Aparecida Maria Nunes’s Clarice Lispector Jornalista – by arguing that, in Lispector’s hands, these pages become spaces of potential cultural and political intervention. Through their nuanced parody of other comparable discursive spaces and their overemphasis on what is culturally constructed as feminine, Lispector’s pages perform a transvestite gesture that unsettles normative models of femininity and dislodges a heteronormative temporality predicated upon birth, marriage, reproduction, and death. (shrink)

Focusing on the recent work of Michael Bratman as emblematic of several important developments in the philosophy of action, I raise four questions that engage with a set of interlocking concerns about systemic functionalism in the philosophy of action. These questions are: (i) Are individual and institutional intentions the same kind of thing? (ii) Can the risk of proliferation of systemic functional explanations be managed? (iii) Is there an appealing basis for the apparent methodological individualism in our theories of action (...) and agency? and (iv) Why not, instead, pursue a methodologically anti-individualist and ecological approach to action and agency? The latter alternative, I suggest, offers a promising way to retain many of the core insights of the Bratmanian project while avoiding the difficulties inherent to some of the methodological presumptions of some strands of contemporary philosophy of action. (shrink)

This work is a qualitative, exploratory study, on how the organizational culture is communicated in a Multinational Mexican company (CEMEX). It specifically analyses the creation of common meanings?culture?through formal communication. Based on an interpretative symbolic approach and using a non?obtrusive method, as is the analysis of documents (nine annual reports, two speeches by the CEO and a corporate video), a culture is discovered and an interpretation of the same is offered. For the analysis, a model was designed whose basic components (...) proceed from the assumption that the organizational culture is composed essentially of cultural substance and forms (Harrison and Beyer, 1993). Also, the ideas of Bantz (1993) were incorporated, as well as his methodology for understanding organizations, by analyzing their messages. The analysis starts from the message emitting sources up to reaching the center or content of the same through their language. In other words, the analysis begins with the form or external manifestation, up to reaching the substance or organizational ideology. This, through an examination of the vocabulary, the metaphors, the slogans, the themes and the stories, among several aspects, in order to reach the inference of meanings that can be taken as the basis or support of its culture. The study offers a different form of approach to organizations and is a case study that explores a blossoming phenomenon (the multinational is very young), which emerges and reveals itself with the investigative process. So, this is not a research for about proving a hypothesis or quantifying data, this is a discovery study. Finally, the findings reflect a possible interpretation of the culture; a picture built thanks to the language that sustains that symbolic reality called organization. (shrink)

All through the literatura, the question about what is a logical constant has recieved many answers, from model-theoretic aproaches,, to answers that focus in the inferential practice as meaning,,. Detractors of the second tradition presented many ineludible incovenients, in particular, the logical constant named ‘tonk’. Inferentialist tryed many solutions, in particular they presented the concept of ‘harmony’. The goal of this paper is to show that the different criteria of ‘harmony’ used in the proof-theoretic semantics to determine what is and (...) what is not a logical constant fail to be necessary or sufficient. I will show the philosophical reasons that make this concept appear and then i will describe the different ways in wich the literatura understads the concept of ‘harmony’. Then I will show that they subgenerate or overgenerate connectives with some counterexamples. Finaly, I will explain some philosophical reasons that should delimitate where to go towards a satisfactory definition of ‘harmony’. (shrink)

This critical appraisal of Juan Comesaña’s Being Rational and Being Right is divided into three sections: Section I describes the fundamental features of “Experientialism,” the theory of basic rationality developed and defended in the book; Section II briefly indicates how the chapters of the book unfold; and Section III describes and examines one problematic issue concerning how Experientialism interacts with the liberalism/conservatism debate in the theory of justification.

Nomy Arpaly rejects the model of rationality used by most ethicists and action theorists. Both observation and psychology indicate that people act rationally without deliberation, and act irrationally with deliberation. By questioning the notion that our own minds are comprehensible to us--and therefore questioning much of the current work of action theorists and ethicists--Arpaly attempts to develop a more realistic conception of moral agency.

To make the case for non-conceptualism, Heck draws on an apparent dichotomy between linguistic and iconic representations. According to Heck, whereas linguistic representations have conceptual content, the content of iconic representations is non-conceptual. Based on the case of cartographic systems, the authors criticize Heck’s dichotomous distinction. They argue that maps are composed of semantically arbitrary elements that play different syntactic roles. Based on this, they claim that maps have a predicative structure and convey conceptual content. Finally, the authors argue that, (...) despite their differences, maps and sentences can logically interact with each other through heterogeneous inferences. These considerations not only challenge the view that conceptual content and inferential processes necessarily involve linguistic representations; furthermore, they provide a new perspective for thinking about maps, their semantics and syntax, and their interaction with linguistic systems. (shrink)

Since Tolman’s paper in 1948, psychologists and neuroscientists have argued that cartographic representations play an important role in cognition. These empirical findings align with some theoretical works developed by philosophers who promote a pluralist view of representational vehicles, stating that cognitive processes involve representations with different formats. However, the inferential relations between maps and representations with different formats have not been sufficiently explored. Thus, this paper is focused on the inferential relations between cartographic and linguistic representations. To that effect, we (...) appeal to heterogeneous inference with ordinary maps and sentences. In doing so, we aim to build a model to bridge the gap between cartographic and linguistic thought. (shrink)

This chapter argues that despite the recent, welcome interest in autobiographical writing about depression, its use for research purposes presents an epistemological challenge because the extent to which these descriptions illuminate the true nature of depressive experience cannot be discerned. Contextualized within the genre of autobiography as well as the subgenre of illness memoir, the depression memoir exhibits ambiguities, it is shown, imposed by the constraints of its genre, and by the nature of autobiographical memory. Sources of ambiguity distinctive to (...) depression memoirs are next introduced, some tied to cultural meanings, others to the status of depressive states as constituted by moods. Finally, some empirical corroboration for these claims is cited, in findings indicating that depression affects autobiographical memory and writing style. The indeterminacy identified here is not a reason to dismiss depression memoirs, it is concluded, so much as to employ caution in drawing inferences from them. (shrink)